You’re probably too young to have seen Some Like it Hot, an iconic 1959 comedy starring Marilyn Monroe, Tony Curtis, and Jack Lemmon. In defiance of the film industry’s Hays Code, the film flirted with topics of homosexuality and cross-dressing.
Directors and brothers Christopher and Alex Browne filmed After the Cup: Sons of Sakhnin United during the 2004-05 season. Almost 15 years have passed since the events were recorded, but judging from more recent soccer movies such as Forever Pure, life has changed very little for Arabs in Israel. Israeli Arabs (Palestinians) remain second-class citizens, and Arabic players are still subjected to hostilities from fanatic Jews, such as the fans of Beitar Jerusalem.
As told to Director Maya Zinshtein, what goes on in a stadium is not just a mirror of society, but indicates the direction society is going.
Forever Pure is a uniquely panoptic film of soccer and society. We see that football clubs can be a toy for oligarchs, a tool for politicians, a burning torch for militant supporters groups, a trauma for its players and staff, and a testament that the good guys don’t always win.
After winning a short film competition at Sundance 2004, Israeli directors Erez Tadmor and Guy Nattiv obtained funding to develop Strangers into a feature length film. Influenced by the Dogme95 au naturel approach to filmmaking, the directors set out without a script, but with 2 actors and 1 camera.
In the touching drama, The Year My Parents Went on Vacation, 1970 is the year of the triumph of Pelé and one of Brazil’s greatest teams. But “on vacation” is an activist euphemism for going on the lam to avoid arrest and torture by Brazil’s ruling military dictatorship.
Writer-director Mushon Salmona conceived the idea for his first feature film Vasermil after making a documentary about the marginal lives of teenagers in his hometown of Beer-Sheva, in southern Israel. The three boys in this story all come from broken homes and have to grow up quickly, although they are ill-prepared to do so.
Sixty Six is director Paul Weiland’s autobiographical tale of woe about how his Bar Mitzvah was ruined by the nearby England vs Germany WC 1966 Final. In his own words, “It is a very cruel movie”, and he believes it is humorous. But after the boy pins all his self-worth on having a party to remember, watching him suffer one humiliation after another is nothing but painful.