When creating a biopic about a footballer, who you claim to be one of the best that ever played, the rule is that the film must have some football in it. At least have enough soccer to show the viewer that the player’s greatness cannot be denied.
In the drama A Barefoot Dream, Kim Won-kang is a former youth national team footballer for South Korea. In adulthood, he has never succeeded in anything, losing his own money and that of family and friends. He heads to the newly independent country of Timor-Leste (East Timor) to get rich quick and redeem his reputation, but the money doesn’t materialize, and his real redemption comes from the change he effects within himself and others.
Sikandar opens with the activities of a small Muslim village in a beautiful mountainous setting. As school lets out, children stream downhill to the market plaza. A child spies a loose soccer ball, kicks it, and it explodes, blowing apart everything and everyone in the plaza. Welcome to routine life in Kashmir.
The most charitable description of Fan of Amoory is that it is well-meaning propaganda meant to exhort young boys to follow their dreams and work for them. In the glory of the UAE.
Penalty is a well-meaning but mostly flaccid first feature film from Director Shubham Singh. Singh uses football as a vehicle to weave a narrative about discrimination in northern India.
Duell der Brüder is a welcome entry in my list of football films. Titled Adidas vs Puma for Amazon, it covers a small but significant piece of sports history along with the drama of two brothers turned personal and business enemies amid the effects of World War 2.
90 Minutos is an excellent first feature from Pulsar, a young Honduran filmmaking company. Director Aeden O’Connor Agurcia and Writer Daniel Frañó fused 4 disparate stories from Honduran life, each with a connection to football. But soccer is mainly a vehicle to capture movie-goers’ attention in a futbol-crazy country.
Gulbahar Singh is a director who wants to make feature films on humanity, and The Goal (द गोल) is an unusual football drama in that its coach decides that overcoming prejudice is more important than winning.
Gujarat 11 is promoted as the first Gujarati sports film and stars popular and handsome Gujarati actors Daisy Shah and Pratik Gandhi. The story mixes in a number of themes, but while each theme has good points, they are not enough to forgive 2 hours and 20 minutes of banality.
Many have compared Cold Sweat with the 2006 feature Offside, which is perhaps the most famous soccer movie out of Iran. But to do so is a crime, even though both dramas are about women trying to exercise simple human rights that are denied to them in Iran.
Der nackte Mann auf dem Sportplatz is not really a soccer movie. This 1974 film from the East German director Konrad Wolf is about a sculptor (Kurt Böwe) in a small town, who gets a commission to create a monument for the local football stadium. Since the artist is fairly well known, the local authorities hope such a public artwork will help increase game attendance.
The Keeper is based on the young life of ManCity goalkeeper Bert Trautmann, whose worldwide fame is due to having weathered the last 20 minutes of the 1956 FA Cup Final with a broken neck.
But fittingly, that incident is a smaller part of the movie, because the real story is how a Nazi soldier and POW became a First Division GK in English football in just a few years after the end of World War 2.
The actress Vivica A. Fox has had 2 key roles that convey strength or a killer instinct (Independence Day and Kill Bill). She has leveraged these traits to produce a series of 14 “Wrong” movies for Lifetime TV, of which The Wrong Student is the 2nd film.
I watched Meninos de Kichute on TubiTV and was surprised to find such a well-crafted film that I had never heard of. Set in 1975, the story shows life in a small Brazilian city, where for men a status car is a Dodge Dart or a Karmann Ghia, and for boys, it is a pair of soccer cleats known as kichute.