Director Brent Hodge did not intend to make a film about why men enter the Catholic priesthood. At the outset, he and co-director Chris Kelly thought their film would be a comedic pop culture documentary, a movie genre niche that is Hodge’s specialty. They envisioned fat friars sweating in the Vatican-sponsored football tournament known as The Clericus Cup.
The last time I watched a film with Lethal in the title must have been Lethal Weapon 2, 3, 4, or 5. (Is there a Lethal Weapon 5?) I figured Lethal Soccer Mom was a click-bait film that would be a grind to watch.
This film is a reason to hate Canada—for producing a movie that is such a chore to watch. Monkey in the Middle—or as it’s titled on Netflix, It’s a Zoo in Here—has one redeeming grace. Graham Zusi (known as Saint Zusi to Mexico fans) is the inspiration when the main character takes a free kick.
Jay Baruchel and Eoin O’Callaghan drive across Ireland in search of Jay’s Irish roots and their shared Celtic Soul. It’s a self-described collection of lovely moments tied together within the larger context of what it means to be an immigrant, to be Irish, and to be a fan of Celtic FC.
Is this worth watching? When Erik Estrada has top billing, you know it’s going to be cheezy. The best line in The Final Goal is when Estrada’s henchman tells him, “You should have been an actor.”
Estrada is the bad guy bribing 6 players to lose a semi-final game in the Global Cup. The only thing in his way is backup goalkeeper Steven Nijjar, who BTW is also a master of martial arts.
Brothers Kevin and Mike Scullion originally intended to create a fictional movie about homeless men joining a soccer team. Instead, they ended up documenting the Downtown Dawgs’ journey from a Calgary drop-in shelter to the 2010 Homeless World Cup in South Africa.
Fondi ’91 follows a team of 16 year old Jersey boys who travel to the small town of Fondi, Italy in 1991 to play in a soccer tournament. Some of the boys are very randy and keen to hook up with Italian fillies or stallions.